Greek Tragedy and the British Theatre 1660-1914
Edith Hall author Fiona Macintosh author
Format:Hardback
Publisher:Oxford University Press
Published:14th Jul '05
Currently unavailable, and unfortunately no date known when it will be back
This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience - including women - than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically attractive to political radicals, progressive theatre professionals, and to the aesthetic avant-garde. All Greek has been translated, and the book will be essential reading for anyone interested in Greek tragedy, the reception of ancient Greece and Rome, theatre history, British social history, English studies, or comparative literature.
...comprehensively and formidably thorough study...a triumph...[Hall and Macintosh] succeed brilliantly...Here is a rich and informing overview of the drama and its various connections to social legislation, educational reform and religious preference...[it] links the history of classical transmission to that of the theatre in ways never previously attempted. * J. Michael Walton, Journal of Hellenic Studies 126, Reviews of Books 223-4 *
...delightfully given to the reader in style, humour and wit, in a narrative that combines formal documentation with illustration from relevant anecdotal and visual material. * The Anglo-Hellenic Review *
This is a work of consummate scholarship. It is meticulously researched, perfectly documented and beautifully presented...The presentation and the reception of Greek tragedy in Britain is an important subject, and the authors address it very seriously indeed, but they go so much further than, to put it colloquially, 'what they say on the tin'. They make new connections, bringing to the reader, not just new facts, but new ideas...This is, in the precise sense of the word, an exciting book. * Professor Jan McDonald, formerly Professor of Theatre Studies at the University of Glasgow (retired) *
...impressively detailed and wide-ranging... This is a massive scholarly project. Few contemporary academics would dare to take on such a long period of time, or to cross the disciplinary boundaries between Classics, theatre history and English literature ... Hall and Macintosh are to be congratulated for their courage and industriousness in crossing this chasm. * Emily Wilson, TLS *
...[a] rigorous and readable history...combines valuable new research with a set of cogent and persuasive arguments about the social and political history of Greek plays, always with a view to connecting these to more conventional English literary histories. Perhaps most engagingly, this new contribution by Hall and Macintosh provides the exhilarating sense of an emergent field, one that draws on the resources of classics, cultural history, literary and performance studies and whose possibilities have only begun to be tapped. * Keri Walsh, The Review of English Studies *
- Winner of Shortlisted for the Theatre Book Prize 2005.
ISBN: 9780198150879
Dimensions: unknown
Weight: 1g
768 pages