Disarming Intelligence

Proust, Valéry, and Modern French Criticism

Zakir Paul author

Format:Paperback

Publisher:Princeton University Press

Published:13th Aug '24

Should be back in stock very soon

Disarming Intelligence cover

A critical account of the idea of intelligence in modern French literature and thought

In the late nineteenth century, psychologists and philosophers became intensely interested in the possibility of quantifying, measuring, and evaluating “intelligence,” and using it to separate and compare individuals. Disarming Intelligence analyzes how this polyvalent term was consolidated and contested in competing discourses, from fin de siècle psychology and philosophy to literature, criticism, and cultural polemics around the First World War.

Zakir Paul examines how Marcel Proust, Henri Bergson, Paul Valéry, and the critics of the influential Nouvelle revue française registered, negotiated, and subtly countered the ways intelligence was invoked across the political and aesthetic spectrum. For these writers, intelligence fluctuates between an individual, sovereign faculty for analyzing the world and something collective, accidental, and contingent. Disarming Intelligence shows how literary and critical styles questioned, suspended, and reimagined what intelligence could be by bringing elements of uncertainty and potentiality into its horizon. The book also explores interwar political tensions—from the extreme right to Walter Benjamin’s engaged essays on contemporary French writers. Finally, a brief coda recasts current debates about artificial intelligence by comparing them to these earlier crises of intelligence.

By drawing together and untangling competing conceptions of intelligence, Disarming Intelligence exposes its mercurial but influential and urgent role in literary and cultural politics.

"Paul offers a very clear presentation of the arguments in each chapter and provides compelling readings of the texts with ample citation, intriguingly tracing the ever-shifting meanings of intelligence, as well as the cultural contexts in which those changes occurred. . . . [T]he book deftly crafts a multifaceted account of intelligence that draws convincingly on the often-intertwined fields of psychology, philosophy, literature, and criticism in the time period under investigation, with helpful accounts of lesser known figures and fresh readings of highly canonical writers such as Proust and Valéry."---Joseph Acquisto, H-France Review
"One of the virtues of Paul’s book is to make staid, naturalized, and otherwise-lapsed critical concepts—intelligence, objectivity, intuition, instinct—come alive in fin-de-siècle debates that often feel unsettlingly contemporary. From Hippolyte Taine’s attempts to quantify intelligence and Henri Bergson’s emphasis on its essential ambiguity, through the literary reflections of Marcel Proust, Paul Valéry, and the critics of the Nouvelle Revue Française, intelligence, we come to discover, was a replenishing source for creative thought. But, far from what one might expect, intelligence, for these major twentieth-century French writers, did not equal creativity. Paul reveals how these and other writers each had their own way of defanging a concept whose meaning, as today, could be marshalled in support of nationalism and social exclusion."---Bécquer Seguín, Critical Inquiry

ISBN: 9780691257983

Dimensions: unknown

Weight: unknown

288 pages