Intermodernism
Literary Culture in Mid-Twentieth-Century Britain
Format:Paperback
Publisher:Edinburgh University Press
Published:27th May '11
Currently unavailable, and unfortunately no date known when it will be back
These 10 original critical essays examine the fascinating writing of the Depression and World War II. Divided into four sections -Work, Community,War, and Documents - the volume focuses on texts that are typically ignored in accounts of modernism or The Auden Generation.Chapters examine writing by Elizabeth Bowen, Storm Jameson, William Empson, George Orwell, J. B. Priestley, Harold Heslop, T. H. White, Sylvia Townsend Warner, Rebecca West, John Grierson, Margery Allingham and Stella Gibbons. These authors were politically radical, or radically 'eccentric', and tended to be committed to working- and middle-class cultures, non-canonical genres, such as crime and fantasy, and minority forms of narrative, such as journalism, manifestos, film, and travel narratives, as well as novels. The volume supports further research with an appendix, 'Who Were the Intermodernists?', a listing of archival sources and an extensive bibliography.
This collection offers more than a series of case studies illustrating what Bluemel (Monmouth Univ.) calls "intermodernism." It creates a new paradigm for the study of 20th-century literature and culture. Building on her own George Orwell and the Radical Eccentrics (CH, Sep'05, 43-0148), the editor brings together major scholars of 1930s-40s Britain under the rubric of intermodernism, defined in her compelling introductory essay as an aesthetic, institutional, and ideological category meant to delineate the space between modernism and postmodernism and to serve as a critical tool … The extensive bibliography and appendix ("Who Are the Intermodernists?") will facilitate further research, especially by including the locations of archival material … Highly recommended. -- J. M. Utell, Widener University * Choice *
Intermodernism is an attractive book in its own right, full of thoughtful and often surprising readings of particular texts, writers, and movements. It is also a welcome and substantial contribution to the ongoing rediscovery of mid-twentieth century British writing: that “fascinating, compelling and grossly neglected” body of work, as Kristin Bluemel sums it up in her opening paragraph. -- Marina MacKay, Washington University in St. Louis * Journal of British Studies *
...a richly rewarding essay which will send the reader back to the original texts with new thoughts and new questions. -- Helen Southerland * The Journal of the Sylvia Townsend Warner Society *
This collection offers more than a series of case studies illustrating what Bluemel (Monmouth Univ.) calls "intermodernism." It creates a new paradigm for the study of 20th-century literature and culture. Building on her own George Orwell and the Radical Eccentrics (CH, Sep'05, 43-0148), the editor brings together major scholars of 1930s-40s Britain under the rubric of intermodernism, defined in her compelling introductory essay as an aesthetic, institutional, and ideological category meant to delineate the space between modernism and postmodernism and to serve as a critical tool … The extensive bibliography and appendix ("Who Are the Intermodernists?") will facilitate further research, especially by including the locations of archival material … Highly recommended. -- J. M. Utell, Widener University
The recovery work of Intermodernism's contributors makes the case that adding another prefix to modernism will help clarify twentieth-century cultural studies and add new voices to humanities classrooms and scholarship.' -- Pennsylvania Literary Journal
ISBN: 9780748642854
Dimensions: unknown
Weight: 409g
264 pages