Designing Sound

This insightful book, Designing Sound, examines the crucial role of sound design in shaping the cinematic innovations of the 1960s and 1970s.

In Designing Sound, Jay Beck delves into the pivotal role of sound design during the transformative 1960s and 1970s in American cinema. This era is often celebrated for its groundbreaking visual storytelling, yet Beck argues that sound was equally crucial in shaping the artistic visions of iconic filmmakers. Through detailed case studies, he highlights how directors such as Francis Ford Coppola, George Lucas, and Martin Scorsese not only had innovative visual techniques but also a profound understanding of sound that enriched their narratives.

The book examines the collaborative nature of sound design, revealing how many directors worked closely with sound technicians to create their signature styles. For instance, Beck discusses Robert Altman's use of overlapping dialogue to enhance naturalism and Terrence Malick's use of wordless sequences to evoke lyrical beauty. These insights illuminate the intricate relationship between directors and sound designers, showcasing how their partnerships led to the creation of some of the most memorable auditory experiences in film.

Designing Sound offers a fresh perspective on a well-explored period in American film history, emphasizing the significance of sound amidst rapid technological advancements. By providing rich behind-the-scenes details, Beck illustrates how the innovations in sound practices during this time not only shaped individual films but also influenced the trajectory of American cinema as a whole.