Territorial

Every poem in Territorial is stunning—each spun fiercely with beauty as well as tremors of perpetual threat and violence against the female body. Mira ‘in Russian / it turns out means World, / so there are countless maps / of me & my confessions / in a language I can’t read.’ Indeed, every poem in Territorial is a ‘Mira’—each a mirror-map that precisely locates precarious bodies across terrains of trauma.

-- Don Mee Choi, author of DMZ Colony

A work of narrative beauty and lyrical depth, Mira Rosenthal’s Territorial mines through a lush and sensual life for deep emotion and ardent language. Through the examination of the violence and the delight of the quotidian, the poet brings forth an unnerving reckoning, exposing the anxieties and complexities of her generation. Swept away by searching imagination, Rosenthal stays grounded in the body. Amid her body’s shadows she finds clarity and peace.

-- Valzhyna Mort, author of Music for the Dead and Resurrected

Rosenthal wonders how a woman can survive in the midst of so much desiccation. How to recognize connection when being uprooted or rendered. This is the kind of work a reader longs for. A book we believe. Sensual, frightening, richly wrought and balanced, Territorial holds no truisms, no aphorisms. The nuances of person and place are expertly exposed. There is tenderness, yes, but it roots alongside implicit and complicit violence. All are connected but all won’t be saved. . . . This is a poet you will return to.

-- Vievee Francis, author of Forest Primeval

Territorial begins with origins—of an interstate system, of sexual threat inherited from myth, of ‘some nocturnal female sense’ a daughter learns on watch for cougars in a state of drought. Mira Rosenthal traces how these paths are cut and circumscribed by human violence, capitalism, environmental exploitation. It is deeply refreshing to see these forces intertwined in poem after poem, to see a book that is as sensual as it is intelligent, as critical of the self as it is of the larger world, as microscopically precise as it is wildly transgressive. Prepare to be unsettled and transfixed by this extraordinary collection.

-- Corey Van Landingham, author of Love Letter to Who Owns the Heavens

Nothing in these poems is wasted, not a single word or syllable or sound. In poem after poem throughout Territorial,the writing is tight and musical and concrete, and the substance is profound.

-- Lynn Do