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In Improvising Memory, Milorad Krystanovich releases the characters trapped in the tableaux of negatives, and breathes into them a remarkable life of their own. Portraits step down from their frames and exist amongst us; before our eyes they age and alter, ponder their own flaws, confines and mysteries. Krystanovich's beautifully-detailed series of poems explore the spaces between images and populate them with a patient and delicately-balanced language that moves in circles and echoes, creating a lyrical resonance in the act of both observing and being observed. Freeze-frame fragments become striking and graceful poem-scenes, alive with moments tangible and fleeting, just out of reach or coming into focus at the edge of sight.
"You don't need to imagine me – a man with his photo camera hanging from its strap on his shoulder. For you, I would describe myself as a photographer whose hobby was not a simple black and white technique of evidencing the elements of everyday life… Later on, instead of developing films in a dark-room, I used my notebook and pen and exposed my hands to the lamplight."
Milorad Krystanovich was born in Croatia and has lived in Birmingham since 1992. He has studied Creative Writing at the University of Birmingham and is a member of Writers Without Borders, Cannon Poets and the Society of Children's Book Writers & Illustrators. Milorad works as a language teacher at the Brasshouse Centre in Birmingham. Improvising Memory is his sixth poetry collection, and follows on from The Yasen Tree (Heaventree Press, 2007).