Elsewhere

"Katherine Oktober Matthews has created an exceptional stew of words and photographs in her new monograph, Elsewhere. She has packed a suitcase of experiences, documented with profound seeing and thinking, as she navigates unfamiliar terrains alone. Solo travel creates a particular space for self-reflection, and in Matthew’s experience, an internal dialogue that looks inward, while at the same time observing small details and moments through her camera. This unique combination of storytelling, with two parallel expressions that poetically speak to elevating and expanding the visual experience, reminds us that travel is not to find yourself, but to remember who you’ve been all along. — Aline Smithson, Founder of Lenscratch, Artist and Educator

“Loneliness and beauty travel together in Elsewhere, which pairs bleakly romantic memoir with evocative photos to narrate the experience of an American abroad. In these brief stories Matthews meets old friends, mourns lost loves, and stays on the move, taking haunting pictures as she goes. The effect is compelling, memorable, and recognizable to anyone who’s ever tried to find herself by leaving home.” —  Julie Phillips, author of The Baby on the Fire Escape and winner of the National Book Critics Circle Award

"What struck me most were Matthews’ conversations and internal dialogues during her interactions with men. In these moments, she astutely captures a paradox women face: every encounter with a man carries the potential for danger due to his sexual desire, yet, through this very desire, women hold power. "Matthews’ modern voice conveys ache and desperation with clarity, exploring the unique journeys we undertake to heal and reclaim ourselves. If you enjoy smart, melancholy female voices tinged with dry humor, you’ll treasure this poignant, intimate book." — Elizabeth Clark Libert
“The photos and text of Katherine Matthews' Elsewhere stage the travelogue as a journey into the peripheries and extremities of the self. Jaded exchanges in dive bars and highway diners, blurred and shadowy images of lampshades, clouds, roads and parklands all assume a strange and exhilarating immediacy and beauty. A book to pore over again and again.” —Josh Cohen