Poetry and Opinion

Are our opinions so violent, because we fear they've no political effect? How open to others is the technologized self?

Eighteenth- and nineteenth-century mass print generated a sea of discourse belying Jurgen Habermas's vision of a cogent 'public sphere.' When they appear in verse, claims about reality have been characterized, or self-characterized, as unreal. Sometimes, affective matrices put the lie to the idea that we are the authors of our own opinions.Identifying ourselves, others, writers, with their opinions—and taking the form of the opinion as the epitome of political engagement—we assert a picture of the self that ought to be scrutinized. Mass print generated, along with the railways, telegraph, information-relays national and global, as well as the development of specialized forms of technological, scientific, economic, and medical knowledge, a sea of discourse belying any vision of a cogent public sphere: disinformation is not a purely 21st century, internet phenomenon. Poetry helps us understand this situation. Appearing in verse, claims about reality have been characterized, or have self-characterized, as virtual. As such, Romantic and post-Romantic poetry makes perceptible other ways in which, in other precincts, utterance becomes virtualized. Sometimes, by the psychological turbulences of the citizen-as-creature, appropriating world events to the need to self-assert; sometimes, as a result of affective matrices that challenge the idea that we are the authors of our own opinions.