Say Something Back and Time Lived, Without Its Flow

She's one of the best poets around * Andrew Motion, former Poet Laureate of the United Kingdom *
It sometimes seems that contemporary poetry divides into two sorts - those poems that did not need to be written and those written out of necessity. Denise Riley belongs to the second category - her writing is perfectly weighted, justifies its existence. It is impossible not to want to 'say something back' to each of her poems in recognition of their outstanding quality. Her voice is strong and beautiful - an imperative in itself . . . remarkable * Guardian *
The best thing I've read in ages -- author of Grief Is the Thing with Feathers * Max Porter *
Denise Riley's Say Something Back shows how grief keeps a different clock and is a churning yet exhilarating (because the poems are so good) exploration of loss. Her poetry gets to the heart -- Guardian * Jackie Kay *
One of the most eloquent thinkers about our life in language * The Sunday Times *
She's a poet whose work . . . never fails to convince new readers with its intelligence, wit and emotion * The Times *
A terrific talent * Carol Ann Duffy *
An astonishing, eloquent examination of grief, but also of stasis and disrupted time in the face of loss . . . Magnificent * Sinéad Gleeson, author of Constellations *
A precise and elegant exploration of what happens to time after a grievous loss. I felt a little wiser for having read it * Cathy Rentzenbrink, author of The Last Act of Love *
To those of us who feared words might not be enough, Time Lived, Without Its Flow delivers its kind riposte. A manifesto for the unbroken promise of language, for a literature of consolation, and above all for empathy, it is a book about listening closely (to oneself and others), a call to the radical, ordinary act of being with: to say with your whole heart, not 'I can't imagine what you're feeling', but 'I can imagine' * Emily Berry, author of Dear Boy *
Time Lived, Without Its Flow derives its immense power from its combination of emotional immediacy and intellectual rigour. To read it is to feel your heart breaking and your neurons firing at the same time * Mark O'Connell, author of To Be A Machine *
A dark jewel of a book in which the mysterious reversals of a life-in-grief are laid bare in language that is both elegantly precise and courageously blunt * Katherine Towers, author of The Remedies *
The only thing I have read that gets close to the experience of loss and the way in which it suspends our entire, usual understanding of time. A wonderful piece of work * Simon Critchley, author of Faith of the Faithless *