Visual Counterculture in Japan
Political Shifts and the Dynamics of Resistance
Format:Hardback
Publisher:Bloomsbury Publishing PLC
Published:27th Mar '25
£80.00
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Analysing major visual trends in post-1960s Japan, this book provides bold new insights into the visual culture of postwar Japan, relating them to countercultural shifts on a global scale.
This book presents innovative analysis of emergent visual trends in Japan from the late 1960s to the present day. Adopting a thematic approach, this interdisciplinary text deconstructs the role that visual practices played in shaping a variety of countercultural discourses related to politics, gender, identity, sexuality, censorship, ethics and disasters. The book makes the case that visual practices do not merely function as a way to record counterculture, but that such practices are in themselves contributing to dynamics of resistance.
By considering a wide range of artists, photographers, film makers and practitioners, the book focuses on the way that visual culture transgresses, subverts or in the very least questions assumed socio-cultural boundaries in Japan. In doing so, the book foregrounds the crucial role that images play in our society today. Images are no just depictions of political shifts as and when they do occur, but they form part of this very shift in their own right. The book also highlights the interconnectedness between various visual practices and how they fit into wider geopolitical considerations on a global scale.
A thoroughly researched account of post-war Japanese counterculture, put smartly into historical context. * Jonathan Watkins, Independent Curator and Writer, UK *
An incisive and original exploration of post-1960s Japanese visual counterculture, that highlights the provocative, often subversive, work of female photographers and the ways they disrupted and challenged state and dominant narratives on significant issues in Japanese society. * Philip Charrier, Associate Professor of History and Head of the History Department at the University of Regina, Canada *
This book unveils what Japan’s dominant culture and media have persistently sought to fragment and forget. It’s an outstanding study, showing how Japan’s counterculture harnessed images to drive its own progression. * Takenaka Yumi Kim, Professor of Art History and Visual Cultural Studies, Ritsumeikan University, Japan *
Visual Counterculture in Japan draws attention to the power of images across media: photography, film and art. An indispensable reference for any consideration of Japan’s postwar visual culture. * Mitsuyo Wada-Marciano, Graduate School of Letters, Kyoto University, Japan *
ISBN: 9781350203297
Dimensions: 236mm x 156mm x 22mm
Weight: 700g
232 pages