Women’s Film Careers in Interwar Europe
Coming into Focus
Carla Mereu Keating editor Elisabeth-Christine Muelsch editor
Format:Hardback
Publisher:Edinburgh University Press
Publishing:31st Dec '26
£95.00
This title is due to be published on 31st December, and will be despatched as soon as possible.

The years between the First and the Second World War were tumultuous ones in European cinema. Filmmakers in Western Europe faced not only aesthetic and technological transformations but also economic and political cataclysms that were pronounced by the late 1920s, intensifying in the 1930s. This era of challenges had a profound effect on pioneering women filmmakers, not only well-known directors like Germaine Dulac, Leni Riefenstahl, Elvira Notari and Adrienne Solser, but also on the many female film directors who have been forgotten, who never came to the fore or who were pushed into other areas of film production. The present essays shed light on this understudied albeit important area, illustrating the impact technological transformation and rising fascism had on these women working in the European film industries. Concurrently, this book also illustrates the mentoring and networking strategies these women developed to help each other succeed in the industry and to strengthen women’s autonomy on and off screen.
Who knew that so many European women worked in the film industry between World War I and World War II? In the 1970s, feminist film theory missed the phenomenon. Their discovery waited for a socio-cultural theory to explain how they could have been recognised in spite of their historical exclusion and succeed in spite of the assumption that they couldn’t. At last, this exceptional volume makes the case for their significance, and in this it represents a milestone in feminist film historiography. * Jane Gaines, author of Pink-Slipped: What Happened to Women in the Early Film Industries? *
ISBN: 9781399562362
Dimensions: unknown
Weight: unknown
272 pages