Blackwell History of American Literature 1865-1914

My major goal is to produce a history that is informed by recent scholarly understandings of American literature and culture, but remains accessible and engaging to an educated reading audience. Thus, the book will have to avoid the mere recitation of names, dates, and facts while still being rooted in the dense texture of history, particularly the history of dramatic change and social turmoil that marks this period. It will have to recognize the achievements of the major literary figures, especially Mark Twain and Henry James, without stooping to the level of literary hagiography or pretending that literary history can be merely the story of great men. The discussion of these figures will not occur in separate chapters but be integrated into the entire book. My goal is to place the work of these and other writers fully into the contexts of the time so that a reader can understand how the various phases of Henry James reflect and respond to the flux of cultural history. Thus, the syntax of James?s major phase needs to be tied to aesthetic movements (especially, the rise of impressionism), political developments (in particular, issues of class and gender), and an emerging science that will challenge moral and epistemological boundaries (reflected perhaps most notably in Freudian psychology). Mark Twain?s career also provides a kind of paradigm for American cultural experience during this period: he began his literary career with an editor named Bliss and ended with one named Paine. The movement from bliss to pain is part of what my narrative will be about. My over-riding aim, however, is to avoid over-simplification while still providing a meaningful guide to the period. This requires that I root the individual texts into multiple cultural contexts. Thus, Twain?s A Connecticut Yankee in King Arthur?s court is best understood when immersed in multiple generic frames, including the international novel (which usually contrasted American democracy and European values), the satire of romanticism in its contemporary form (Tennysonian medievalism), the historical novel (probably the most popular form of the time), and an emerging science fiction (which began to challenge faith in progress and technology). I hope to be able to provide both a lively narrative and a detailed analysis of culture and texts. The overall shape...