1975
The Year the World Forgot
Format:Paperback
Publisher:Little, Brown Book Group
Publishing:4th Jun '26
£12.99
This title is due to be published on 4th June, and will be despatched as soon as possible.
There is a myth that the long, dark days before punk were full of legions of British prog rock groups; that the likes of Yes, Genesis, King Crimson, Emerson Lake & Palmer and Jethro Tull roamed the land, soiling the culture like university-educated Orcs.
Wrong.The mid-seventies were dense with extraordinarily sophisticated, mature rock music made by singers, songwriters and musicians who had no problem calling themselves artists. None at all. And the records they made aspired to artistic status: everyone was trying to make their own masterpiece, and the sense of competitiveness was like something not seen since the mid-sixties. Three-minute pop singles had given way to concept albums and pop-package tours had been supplanted by rock festivals, and rock in general had a renewed sense of ambition.1975 was the apotheosis of the adult pop, the most important year in the narrative arc of post-war music, and a year that was rich with masterpieces: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, The Koln Concert by Keith Jarrett, Siren by Roxy Music, Another Green World by Brian Eno, The Hissing of Summer Lawns by Joni Mitchell, Marcus Garvey by Burning Spear, Katy Lied by Steely Dan, Chocolate City by Parliament, A Night at the Opera by Queen &c.These records were magisterial; records that couldn't be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or indeed a record as unimpeachable and as prescient as Horses?1975 was the greatest year of them all.Whether he's unpicking the importance of 'Born to Run' to Bruce Springsteen's career, explaining how Donna Summer invented the 12″ single, or describing the impact of Bob Marley's appearance at the Lyceum in July 1975, Jones' writing is witty, precise, and engaging . . . Readers will want to revisit many of the records that Jones uses to build his convincing case for 1975 being the apotheosis of adult pop. The book successfully challenges the accepted history of what came before punk's 'day zero' and shines a light on some lost gems * Louder Than War *
[Jones's] makes deliciously bold statements and the breadth and scope of his coverage is impressive, as is his eye for detail. Makes one crave a follow-up undertaking for 1976! * Record Collector *
Enormously entertaining . . . Jones pulls all these cultural fragments into one gloriously exciting picture in a way only he can. Never has pop history been so elegantly told * London Standard *
Indefatigable polemicist rescues classic rock from year zero barbarians * MOJO *
Across 21 albums, Jones smartly covers the songs and music as well as the geo-cultural milieu that nurtured and enveloped them. An excellent book * Irish Times *
Marvellous * Neil McCormick, The Telegraph *
Illustrious * John Meagher, Irish Independent *
Tremendous * Mark Ellen, Word In Your Ear *
Fascinating * Gary Kemp, Rockonteurs *
Drugs, lavishness, excess . . . an interesting chain of consequences, and developments in news and culture * Tom Sutcliffe, BBC Front Row *
ISBN: 9781408722015
Dimensions: 198mm x 126mm x 22mm
Weight: unknown
368 pages