Death and the King's Horseman
Format:Hardback
Publisher:Bloomsbury Publishing PLC
Published:28th Jan '16
Currently unavailable, and unfortunately no date known when it will be back
Based on the real events that took place in the ancient Yoruba city of Nigeria in 1946, this play tells how Simon Pilkings, a district officer, intervenes to prevent the ritual suicide demanded by the death of the King. There follow drastic repercussions in both indigenous and colonial communities.
Elesin Oba, the King's Horseman, has a single destiny. When the King dies, he must commit ritual suicide and lead his King's favourite horse and dog through the passage to the world of the ancestors. A British Colonial Officer, Pilkings, intervenes to prevent the death and arrests Elesin. The play is a set text for NEAB GCSE, NEAB A Level and NEAB A/S Level. 'A masterpiece of 20th century drama' - Guardian "A transfixing work of modern world drama" (Independent); "clearly a masterpiece. . . he achieves the full impact of Greek tragedy" (Irving Wardle, Independent on Sunday); "the action of the play is as inevitable and eloquent as in Antigone: a clash of values and cultures so fundamental that tragedy issues: a tragedy for each individual, each tribe" (Michael Schmidt, Daily Telegraph)
This rich turbulent piece, which starts as folk comedy and ends as Greek tragedy, takes on board an abundance of ideas: identity, tradition, the passage from life to death . . . Soyinka's play is as much philosophical as political. * Michael Billington, Guardian, 9.4.09 *
Based on events in 1940s Nigeria, the story attains a more classically tragic power in showing two forces unable to understand each other. On one side there is the Yoruba culture, in which the death of a king is followed by the suicide of his favoured liegeman . . . on the other, the powers that be with their contrary code that suicide is illegal and to be prevented, even if it costs more lives. * Ian Shuttleworth, Financial Times, 13.4.09 *
Wole Soyinka's play is one of the great creations of twentieth-century theatre: it has the fire, grandeur, cruelty and humanity of Greek tragedy, the moral cutting edge of modern political thinking, and the African writer's take on his own people's values: loving mocking, ironical and ruthlessly observant . . . Soyinka writes with the moral ambivalence and relentless questioning of Shakespeare. * John Peter, Sunday Times, 19.4.09 *
ISBN: 9781474260763
Dimensions: unknown
Weight: 336g
96 pages