Rethinking Brechtian Film Theory and Cinema
Exploring the Legacy of Brecht in Modern Film and Media
Format:Paperback
Publisher:Edinburgh University Press
Published:25th Aug '20
Should be back in stock very soon
This book explores the lasting impact of Brechtian film theory, offering fresh insights into Brecht's writings and their relevance in modern cinema.
In Rethinking Brechtian Film Theory and Cinema, the author presents a compelling case for the enduring significance of Brechtian film theory in contemporary discussions. This book delves into new research and analysis surrounding Brecht as a film and media theorist, showcasing his scattered writings and situating them within the vibrant film theory debates that unfolded in Europe from the 1920s to the 1960s. By exploring these historical contexts, the author highlights how Brecht's ideas continue to resonate in today's cinematic landscape.
The text further identifies critical intersections between Brecht's 'unfinished project' and modern film and media theory, suggesting that his work remains relevant and insightful. Through detailed case studies of notable films, including Roberto Rossellini's Pais, Bernardo Bertolucci's 1900, and Joshua Oppenheimer's The Act of Killing, the author challenges prevailing assumptions about Brecht's theoretical stance. This approach not only reexamines Brecht's contributions but also opens up new avenues for understanding his influence on film studies.
Ultimately, Rethinking Brechtian Film Theory and Cinema invites readers to engage with Brecht's work in fresh and innovative ways. The book serves as an essential resource for scholars and students alike, encouraging them to reconsider Brecht's legacy and its implications for contemporary film analysis.
Rethinking Brechtian Film Theory and Cinema is an important study both for Brecht scholarship and film criticism. It not only demonstrates the continuing relevance of Brecht for cinema, it also returns to and literally "rethinks" established approaches. The theoretical work, in particular, is nothing short of formidable in its scope and depth. -- Olivia Landry * The Brecht Yearbook 45 *
Rethinking Brechtian Film Theory and Cinema is an important study both for Brecht scholarship and film criticism. It not only demonstrates the continuing relevance of Brecht for cinema, it also returns to and literally "rethinks" established approaches. The theoretical work, in particular, is nothing short of formidable in its scope and depth. -- Olivia Landry * The Brecht Yearbook 45 *
Brecht's experiences with film were not always happy, but the Brechtian influence on film and its theory is colossal. Koutsourakis’ book masterfully sets out the wide scope of Brecht's aesthetics, from his 1923 venture with slapstick to the Brechtian footprints in the essay film, Realist and post-Deleuzian cinema theory and contemporary media archaeology. -- Prof Esther Leslie, Birkbeck, University of London
ISBN: 9781474474658
Dimensions: unknown
Weight: 418g
272 pages