The Cinema of Cecilia Bartolomé
Feminism and Francoism
Format:Paperback
Publisher:Manchester University Press
Published:20th Jan '26
£25.00
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Were it not for authoritarian state censorship, Cecilia Bartolomé’s name would figure alongside those of her contemporaries Agnès Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century. With this bold claim, this book seeks both to write the history of Bartolomé’s extant filmography, and speculate about censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film.
The first volume on this director to be written in English, The Cinema of Cecilia Bartolomé is also the first volume on the director published in any language for over twenty years. By focusing on Spanish-language cinema of the 1960s-90s, the period when feminism, like democracy, was re-born and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo.
This book plays a significant role in widening the scope of knowledge surrounding this key director. Indeed, it is in the meticulous archival work, interviews and her eloquent glossing of these that the book is so valuable to feminist media scholars, film historians and Hispanists alike. More importantly perhaps, it stresses that ‘the encounter with Bartolomé’s work is a joy for audiences’ (200). Faulkner’s sensitivity to cultural and political context and to film form combine in an eloquent examination of this director’s feminist aesthetic. It is an aesthetic that combines a formal acuity with the awareness of the details of the everyday with an astute understanding of the power of humour, music and melodrama even in potentially difficult situations.
Studies in Spanish & Latin American Cinemas
ISBN: 9781526194817
Dimensions: 216mm x 138mm x 14mm
Weight: 308g
264 pages