Dear Leader

Features and excerpts in New York Review of Books, New York Times, Paris Review, Poetry Magazine, Tin House, Bomb, Lemonhound, Jacket2 Promotion on the author's website (http://damianrogers.wordpress.com/) Publicity and promotion in conjunction with the author's speaking engagements (Poetry in Voice, Poetry Foundation)

A psychedelic remix of religious texts, memory, and borrowed biography, this collection sings a new kind of order into air.I'm ill-equipped for this. I sit by a fake fireplace that frames a real flame. I've been crossed by two crows today. 'Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: "O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter." Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar "Dear Reader" or Dickinson's "Dear Master" ...Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean -- the mem of memory -- and the fabric we make of the uncertain in-between.' -- Hoa Nguyen, The Boston Review 'How can we live with the kind of pain that worsens each day? Dear Leader explains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart under assault, bleeding but unbroken. Part Orpheus, part pop-heroine who can "paint the daytime black," all, an original act of aesthetic violence and pure, dauntless, love.' -- Lynn Crosbie 'In Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And that's the magic: this is a poetry that refuses to be staged or to succumb to cliche or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. "Say you're a poet," Rogers advises us, tongue-in-cheek, "Maybe you mean / Hi, I have a lot of feelings." Striking that balance between one-liners and mourning is no small feat.' --Trillium Award Jury Citation Praise for Paper Radio: 'Paper Radio jumped out at me and I can't say why, but that's what you want...