Hardcore Is Everything
Music, Identities, and Ideologies
Format:Hardback
Publisher:Bloomsbury Publishing PLC
Publishing:7th Jan '27
£80.00
This title is due to be published on 7th January, and will be despatched as soon as possible.

Provides a scholarly account of hardcore, as a musical style and subculture, from a longtime fan and critical observer.
Hardcore Is Everything: Music, Identities and Ideologies provides a scholarly account of hardcore, as both a musical style and subculture, from a longtime fan and critical observer.
Born as the bastard child of punk rock, hardcore has since become the ultimate rebellion to the status quo. Fast, aggressive and confrontational, hardcore has lived on as a part of the musical underground for over five decades because it refuses to compromise. Hardcore Is Everything starts at the beginning by studying where and how this genre began, and how it became what it is and developed the labels that came to define the genre and what continues to define what being hardcore truly means. The book discusses locality, positionality, and authenticity in hardcore, as well as the various ideological movements within the genre, including Christianity, straight edge, and animal rights activism—even a dive into hardcore’s mosh pit culture. Wrestling with the inclusivity and exclusivity of the subculture, Edward Banchs examines the equity, or lack thereof, for women and queer fans, asking why it is that some are meant to feel more welcome than others in a scene that projects openness.
Hardcore Is Everything offers explorations into why both community and identity are central to hardcore, what has kept hardcore relevant for over 50 years, and why this scene will live on for decades to come.
Personal in its approach but widely applicable in its outcomes, Hardcore is Everything critically excavates the cultural politics of this often misunderstood subculture. From toxic masculinity and queer rights to religious freedom and violence, Banchs tackles the myriad of contradictions, downfalls, and successes of a genre and community he clearly loves and that scholars and fans might love a bit more once they are done reading. * Peter J. Woods, DIY Musician and Assistant Professor in Learning Sciences, University of Nottingham, UK *
Edward Banchs dives deep into the punk rock world of the 1980s to the present. He unearths critical debates and arguments about everything from the ethic of mosh pits, feminism, sexuality, identity, diet—not just blaring music. Well-done and a good, engaging read. * Kevin Mattson, Connor Study Professor of Contemporary History, Ohio University, USA *
ISBN: 9781666969207
Dimensions: unknown
Weight: unknown
248 pages