Producing Children’s Television in the On Demand Age

This book provides a detailed account of the creative, economic and regulatory processes underlying the production of children’s television in a multi-platform era. Its collection of integrated case studies includes extended interviews with leading producers whose programs are watched by children all over the world. These reveal the impact of digitization on the funding, distribution and consumption of children’s television, and the ways that producers have adapted their creative practice accordingly. In its comprehensive analysis of the production culture of children’s television, this book provides a valuable lens through which to view broader transformations in media industries in the on-demand age.

This original and engaging book explores the creative processes underlying the production of children’s television, with close attention to underlying economic and policy dynamics. It does so through a combination of detailed case studies and interviews with leading producers from across three English-language markets. In its examination of the impact of new streaming services like Netflix and Amazon Prime on the funding, production and distribution of children’s screen content, the book will reveal how producers successfully created content for these increasingly influential new services.

It offers important insights into the production of children’s screen content in Australia, New Zealand and the United Kingdom, and builds on previous research in the field. The addition of analysis, which provides the context of historical, regulatory and economic factors that shape production in all three countries, is important for situating the personal testimonies and providing some critical distance. The variety of productions chosen for analysis, including drama, factual productions and animation, represents the very different pressures on different genres. Previous studies have looked at children’s content as one genre, whereas this new study reveals children’s content to be as diverse in range as adult content.

The case studies show the pressures and opportunities emerging from different national and international context and offers its own unique take on matters such as diversity, gender representation and indeed the ethics of representing children from a producers’ perspective. As a contribution to industry studies, this volume represents a valuable addition to the literature and will no doubt be referenced by future studies.

The quantity and quality of original interview material goes far beyond interviews in the trade press. Combined with the rich...read more...