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From Wilderness to Paradise: A Sixth-Century Mosaic Pavement at Qasr el-Lebia in Cyrenaica, Libya

Jane Chick author

Format:Paperback

Publisher:Archaeopress

Published:7th Mar '24

Should be back in stock very soon

From Wilderness to Paradise: A Sixth-Century Mosaic Pavement at Qasr el-Lebia in Cyrenaica, Libya cover

From Wilderness to Paradise presents an in-depth study of the large mosaic pavement in the East Church at Qasr el-Lebia in Cyrenaica, Libya. The pavement, which survives almost in its entirety, consists of fifty panels, each containing a different image. Despite being described as ‘the finest and most interesting set of Christian mosaics yet found in Libya’ (Illustrated London News, December 1957), subsequent studies have generally dismissed the pavement as a random selection of images with no symbolic meaning and no overarching scheme. This book argues that the remarkably rich and complex mosaic should be understood as a coherent whole.


A discussion about reading imagery in Late Antiquity precedes a meticulous iconographical study. Within the pavement’s overall coherence, the grid layout allows the panels to be read in different directions, rather like a crossword puzzle, their meaning shifting with each change of focus. Particular attention is paid to small groups of images related either by subject matter or location, and the discussion shows how the placement of certain panels impacts the surrounding imagery, giving meaning over and above the significance of individual motifs. The iconographical study concludes by considering the mosaic from the viewpoint of those moving across the pavement and the phenomenological responses this interaction may have elicited. It suggests that as the images passed fleetingly underfoot, a journey unfurled and one was led from a chaotic oceanic wilderness in the east, to a more orderly paradisiacal world further west.

'Chick’s interpretative exercise thus takes the reader on a fascinating journey, as she pieces together potential meanings in order to reconstruct the mosaic’s experiencing by newly baptised Christians, under the guidance of local clerics who would have revealed to them the Christian symbolism of the scenes and of the overall programme. While the range of meanings available to us is limited by the extant sources, making it thus impossible to ascertain all potential interpretations, Chick’s effort is worthwhile since late antique viewers, too, would only have been able to grasp part of the meanings. The book thus has the great merit of drawing attention to the varied interpretations of Justinianic art by members of the lay audience; a dimension in need of further attention, since most scholarship to date focused on understanding this art through the prism of the erudite but small intelligentsia of the time. Thus, the book will hopefully serve as a model for future analyses of late antique art, to shed further light on the polysemy that represented one of its main features.' – Vladimir Ivanovici (2025): Plekos 27

ISBN: 9781803277301

Dimensions: 276mm x 203mm x 8mm

Weight: 1090g

170 pages