Lili is Crying

‘In Hélène Bessette’s novel Lili is Crying, the tears are unavoidable. They’re in the title, and ten pages in, I was emailing everyone I could about the book. It felt electric and urgent, as if Bessette should have long been in my canon, with Ingeborg Bachmann or Elizabeth Hardwick, Lynne Tillman and Annie Ernaux…. Lili shares the cartoon’s casual violence, which is not to say the novel is comic, though at times it is, yes, darkly funny. It is beautiful, brutal.’
— Jennifer Kabat, 4 Columns

‘This scintillating 1953 novel from Bessette (1918–2000) follows the beautiful Lili, who’s 40 and looks 20, through one heartache after another as she contends with her possessive mother’s hold on her…. What keeps this novel running is not the plot but Bessette’s remarkable prose, complete with freewheeling swerves from spoken dialogue to internal monologue, propelling the action without losing sight of the characters’ intense emotions. Briggs’s ear is highly trained to Bessette’s singular register, making this rediscovery all the more noteworthy.’
— Publishers Weekly, starred review

‘A tale of bust-ups, mistakes and life-ruining decisions in a fiery, fickle relationship between a mother and daughter.… Bessette’s prose is prickly and snappy, with short lines and speech introduced by dashes … the effect is one of a verse drama, with a mocking chorus in the wings. People’s ages change and remain the same, defying chronology…. [A] story of unachieved dreams and the pain of continuing to hope.’
— Francesca Peacock, The Spectator

‘Kate Briggs’s deft translation brings Hélène Bessette’s novel into English for the first time. Bessette plays with line breaks and typography, exercising what Eimear McBride refers to in her beautiful introduction as “formal indiscipline”.... Lili is Crying is the loudest book I have ever read. From Lili’s “desperate sobs” to the “trumpeting love” of Lili and the shepherd, the writing rattles like a set of cutlery in a tumble dryer. Miraculously, all the noise coheres into an elegant symphony.’
— Oonagh Devitt-Tremblay, Literary Review

‘Living literature, for me, in France today – it’s Hélène Bessette.’
— Marguerite Duras

'Lili is Crying is stunning: a choral fever-dream of a book cycling through passion and despair, loyalty and betrayal. Bessette’s cadence and lyrical concision are bewitching and necessarily airless, much like the mother-daughter relationship they chronicle. It’s also a vivid and unforgettable portrait of place – a sun-drenched landscape with world war at its fringes, and the slow fade of one era into another. Kate Briggs’s translation is a powerful channelling of Bessette’s voice: distinct, unapologetic and eerily present.'
— Daisy Lafarge, author of Lovebug

‘I’m grateful to Kate Briggs for her translation of Lili Is Crying – a tragic, comic, invigorating book with an eccentric staccato style that blurs speech and thought.’
— Kathryn Scanlan, author of Kick the Latch

‘A manic, brilliant maze of a book. Circular, cinematic, comic.’
— Sinéad Gleeson, author of Hagstone

‘Lili is Crying is not straightforwardly tragic – as the title may initially trick us into believing – but darkly funny, marvellously strange, insistently performative and, somehow, truer than true.’
— Saba Sams, author of Send Nudes

‘This book is brilliant and bizarre, a Grey Gardens-esque tragicomedy, as if written by a sinister cousin of Stevie Smith.’
— Camilla Grudova, author of The Coiled Serpent

‘AT LAST, SOMETHING NEW.’
— Raymond Queneau, author of Zazie in the Metro

Eimear McBride is the author of four novels: A Girl is a Half-formed Thing, The Lesser Bohemians, Strange Hotel and The City Changes Its Face. She held the inaugural Creative Fellowship at the Beckett Research Centre, University of Reading and is the recipient of the Women’s Prize for Fiction, the Goldsmiths Prize, Kerry Group Irish Novel of the Year, and the James Tait Black Memorial Prize.