Reckonings and Reconstructions
Southern Photography from the Do Good Fund
Jeffrey Richmond-Moll author Jeffrey Richmond-Moll editor
Format:Hardback
Publisher:University of Georgia Press
Published:30th Sep '22
Should be back in stock very soon

This book offers a visual and textual exploration of southern photography, revealing complex themes of memory and identity in the American South, as seen in Reckonings and Reconstructions.
In Reckonings and Reconstructions, essayist and southern literature scholar W. Ralph Eubanks poses a compelling question: can photography deepen our understanding of the South within a broader American context? He suggests that our perception of images is intricately linked to our existing knowledge, highlighting the subjective nature of visual interpretation. This book serves as both a visual and textual exploration of southern photography since World War II, featuring 125 color photographs from the Do Good Fund, contributed by a diverse group of 77 photographers representing various genders, races, and ethnicities.
Eubanks delves into the complex themes of southern memory and the ethical implications of photography. Alongside him, Grace Elizabeth Hale examines the significance of Athens, Georgia, a hub for photographers and a vibrant cultural scene, as a pivotal part of southern photography's history. The collection of essays by contributors such as Jasmine Amussen, Rosalind Bentley, and RaMell Ross further explores themes like land, labor, migration, and the intricate dynamics of southern identity. Each essay works to connect the photographs with these themes, revealing the multifaceted nature of the South.
Ultimately, Reckonings and Reconstructions challenges the perception of the South as a static or retrograde region. Instead, it presents a landscape where contradictions coexist—despair and hope, beauty and terror—reflecting a place in search of reconciliation and renewal. The book captures a vision of a 'Better South,' inviting readers to engage with the region's rich cultural tapestry through the lens of photography and thoughtful discourse.
These images inspire the viewer to see a connection between this region below the Mason–Dixon Line and the
rest of the country that lies above that archaic artificial border.
There is no Athens school of photography. They are simply artists who live and make work there, part of a
creative community that exists because of the university and the scene. Their best pictures do what all great art
does: they help us see.
ISBN: 9781946657145
Dimensions: unknown
Weight: unknown
250 pages