Women in Art

Icons, from Frescoes to Street Art

Alix Paré author

Format:Hardback

Publisher:TRA Publishing

Publishing:3rd Dec '26

£18.99

This title is due to be published on 3rd December, and will be despatched as soon as possible.

Women in Art cover

"An illuminating and accessible portrait of women’s place in art and society." —Publishers Weekly

A sweeping historical and cultural examination of how women–and particularly, heroines–have been represented, interpreted, and reimagined throughout art history.

From the patient Penelope to the invincible Wonder Woman; from the cruel Medea to the pious Geneviève; from the warrior Mulan to the lover Juliet; from activist Rosa Parks to the symbol of Lady Liberty: who are these women who inhabit the imagination of artists?

Heroines in Art explores the women who populate artists’ imaginations and our shared visual memory. Tracing the evolution of female heroism from myth to modernity, thirty-seven works reveal how painters, sculptors, illustrators, and performers have negotiated the tension between celebrating female strength and containing its threat.

Throughout, you’ll explore the works of Peter Paul Rubens, Utagawa Hiroshige, Nam June Paik, Artemisia Gentileschi, Mary Cassatt, Faith Ringgold, and more—alongside icons such as Cleopatra, Baba Yaga, Joan of Arc, Shéhérazade, and Joséphine Baker. Inside, you’ll also find:

  • A curated selection of essential and unexpected works
  • Timelines, maps, and charts
  • Anecdotes, historical context, and varied sidebars

This energetic survey from art historian Paré (Cats in Art) spotlights artworks featuring famous female muses “from Cleopatra to Joséphine Baker.” Each work is paired with a timeline, relevant quotations, and literary references, along with an analysis of the piece and how portrayals of its subject have shifted throughout history. Peter Paul Rubens’s 1616 painting of the mythical Atalanta, for example, depicts her as a beauty receiving the decapitated head of a wild boar, straying from earlier portrayals of the heroine as an athlete or huntress. Elsewhere, Giorgio di Chirico’s 1973 oil painting Antigone Consolatrice imagines Antigone and her father as faceless mannequins, drawing on previous artists’ renderings of the pair while “planting doubt” in the viewer’s mind (“Which figure is Antigone, really?”). While the topic can feel overly broad, Paré surveys a unique mix of historical, fictional, and mythological subjects, and intersperses enjoyable bits of trivia throughout (Gustave Flaubert wanted no illustrations to appear in his novel Salammbô, but artists’ versions kept popping up after his 1880 death). It adds up to an illuminating and accessible portrait of women’s place in art and society.  * Publishers Weekly *

ISBN: 9781962098434

Dimensions: unknown

Weight: 334g

108 pages