Annabel Williams Editor

Sarah Jackson is Associate Professor in Arts and Environment and Vice Chancellor’s Fellow at Northumbria University. Working at the intersections of literature, art and technology in order to address questions of social and environmental justice, her books include Pelt (2012; awarded the Seamus Heaney Prize for Poetry 2013); Tactile Poetics: Touch and Contemporary Writing (2015); and Literature and the Telephone: Conversations on Poetics, Politics and Place (2023). Bringing together creative and critical practice, her current work focuses on geopoetics, displacement and sound. Philip Leonard is Professor of Literature and Theory at Nottingham Trent University. His research focuses on national, transnational and global writing, ecocriticism, and literature and technology. His books include Orbital Poetics: Literature, Theory, World (2019) and Literature after Globalization: Textuality, Technology, and the Nation-State (2013), and he is co-editor of Parallax special issue ‘Troubling Globalization’ (2021) and The World in Theory: Derrida, Nancy and the Ends of Globalization (forthcoming, 2026). He is currently writing a book on Earth-Space sustainability, titled Astroecologies: Cultural Narratives and Environmental Sustainability in Space. Annabel Williams is a Lecturer in Modern and Contemporary Literature at the University of St Andrews. Her research specialisms include literary modernism, mid-twentieth-century literature, travel writing and war writing, and she has published work on these areas in edited volumes and journals including Modernist Cultures, Textual Practice and Twentieth-Century Literature. Her essay ‘Fantasias on National Themes: Fantasy, Space, and Imperialism in Rebecca West’ won the Andrew J. Kappel Prize in Literary Criticism (2020). Her monograph Travel, War and Home in Late Modernist British Literature is forthcoming in 2026.