Emmanuel Ghesquière Author

Alison Sheridan is a Research Associate and former Principal Curator of Early Prehistory in the Department of Scottish History and Archaeology, National Museums Scotland. As the UK, Isle of Man and Channel Islands co-ordinator of the French-led research project, Projet JADE, she has investigated the axeheads and other artefacts made from jadeitite and other Alpine rocks that have been found in the Channel Islands. She has also worked with the late Ian Kinnes on the dating of the funerary monument of Les Fouaillages on Guernsey.

Emmanuel Ghesquière is in charge of archaeological prospection and excavations at the Institut National de Recherches Archéologiques Préventives (INRAP), Grand-Ouest, in Bourgébus, and a permanent member of the Centre de Recherche en Archéologie, Archéosciences, Histoire, Rennes (CReAAH). A specialist in the prehistory of Normandy and of the west of France more generally from the Mesolithic to the Bronze Age, he has directed excavations at the Neolithic cemetery of Fleury-sur-Orne since 2014.

Cyril Marcigny is the Deputy Director (Scientific and Technical) of INRAP, Grand-Ouest, in Bourgébus, and is a Faculty Member (and former Director of CReAAH) at the Université Rennes-I and II. He also teaches at the École du Louvre and is a member of the Pre- and Protohistory Section of the Comité des travaux historiques et scientifiques at the École nationale des Chartres. He brings his encyclopaedic knowledge of the Neolithic in Normandy, and in western France more generally, to bear on interpreting Jersey’s Neolithic.

Hélène Pioffet is Conservatrice du Patrimoine (Curator of Heritage) in charge of the département of Morbihan, based at the Service regional de l’Archéologie in Rennes, and a permanent member of CReAAH. She is a specialist in Neolithic pottery, not only of France and the Channel Islands (having produced the definitive report on the assemblage from Les Fouaillages, for example) but also of Britain and Ireland. Her work on Channel Islands Neolithic pottery has clarified its development and its relationship with French ceramic traditions.