The Italian Renaissance

Praise for the first edition: 'Virginia Cox makes the text and its contents comprehensible and well-befitting the required reading list of nascent students of the period …. Her prose is particularly well suited to those with little or no familiarity with the topic. However, her outstanding overall examination of the Italian Renaissance will also spark the interest of seasoned enthusiasts and fellow scholars.' Italian Culture
'[This] is an essential book for anyone interested in this topic. This work would be a great resource for the university classroom, serving as a general textbook for undergraduate- and graduate-level courses from which the instructor can supplement with the primary and secondary sources Cox mentions. For the general reader, this book provides a strong foundation in the people, places, art, and literature of the period that will spur further reading of more specialized scholarship.' Sixteenth Century Journal
'Virginia Cox's short history of the Italian Renaissance is an exemplary introduction - concise, lucid, elegant, balanced, perceptive and accessible. It summarizes traditional views of the Renaissance, especially Jacob Burckhardt's, criticizes them, and offers a revised interpretation of the movement. Cox's Renaissance is, in her own words, 'broader and deeper' than its predecessors. She places more emphasis than usual on the coexistence and conflict between different ideas and styles. She re-interprets Burckhardt's idea of Renaissance 'individualism' with the aid of recent work on social psychology. Her book includes discussions of the applied arts, notably fashion, as well as a chapter on 'the Renaissance woman,' based on the author's own research. Students will be grateful for this book, general readers will enjoy it, and fellow-scholars will be appreciative of the knowledge and thought underlying its apparently effortless production.' Peter Burke, FBA, Emeritus Professor of Cultural History, University of Cambridge, author of The Italian Renaissance
'This is a short and pithy book by an outstanding scholar at the top of her game. Prioritizing literature, it uses newly-discovered or unfamiliar writings to re-describe social classes, as well as topics like individualism and gender. Its innovative chapters on 'Renaissance Man' and - especially - 'Renaissance Woman' help to reset the agenda for understanding the Italian Renaissance, making this book an invaluable twenty-first-century guide, not only for students but for the rest of us as well.' Alison Brown, Emerita Professor of Italian Renaissance History, Royal Holloway, University of London, author of The Renaissance
'Virginia Cox's rich, thought-provoking and elegantly written introduction to the Italian Renaissance conceives the cultural movement widely and inclusively, and encourages us to see it in new ways. Cox shows how it was rooted in an emulative and endlessly inventive dialogue with the models of ancient Rome and Greece that responded to, and was made more urgent by, the new needs of expanding cities and commerce. The cultural production that she considers includes of course literature, fine art, music and thought, but also material culture (including cooking and fashion), geography and science. Cox argues convincingly that the Renaissance in Italy should be seen as lasting until as late as the start of the seventeenth century, and as multipolar, with important developments emerging as much from princely courts as from the republics of Florence and Venice.' Brian Richardson, University of Leeds, author of Manuscript Culture in Renaissance Italy
'Virginia Cox's creative, original, and well-argued study of the Italian Renaissance should be on the bookshelf of every reader interested in the period. Cox gives attention not only to classical scholarship and those who practised it, but also to those who used it in their everyday lives. She presents short, judiciously chosen case studies that illuminate Renaissance art-making and collecting. And she writes with an expert hand about what it was like to live as a man or woman in the Renaissance, again by limiting her focus to exemplary cases that illuminate much larger realities. This short volume should be a go-to book for scholars teaching courses in the Renaissance as well as for general readers who want an introduction to the period that wears its considerable scholarship lightly. The writing throughout is crisp and elegant, with not a wasted word in sight.' Christopher S. Celenza, Charles Homer Haskins Professor of Classics and German and Romance Languages and Literatures, Johns Hopkins University, author of Machiavelli: A Portrait and The Lost Italian Renaissance: Humanists, Historians, and Latin's Legacy