Craft and War
Makers, Users, and Craft Practices since the 19th Century
Heather Smith editor Jennifer Way editor Alida R Jekabson editor
Format:Paperback
Publisher:Bloomsbury Publishing PLC
Publishing:11th Jun '26
£24.99
This title is due to be published on 11th June, and will be despatched as soon as possible.

Explores the relationship between craft and war, examining craft fabrication, practices, objects, makers and users in global contexts throughout conflicts since the mid-19th century.
Examining the diverse ways in which craft has participated in wars from the mid-19th century to the present day, this book brings together a wealth of scholarship to redress an understudied area of modern craft history. Craft and War explores issues of fabrication, makers, objects, uses and users throughout conflicts across the world to provide a critical understanding of the relationship between craft and contexts of war.
Chapters look at the impact of colonization on making practices and acts of preserving cultural heritage in times of dislocation and migration. Authors provide insights into repurposing tools of oppression and the appropriation of material culture as a device of warfare, in addition to embroidery and tactics of resistance, and the role of craft and folk art in international feminist peace activism. Organized into four thematic sections, this book reveals how craft developed in different regions during and after armed conflicts, including research on trench art and objects, quilts and rugs commissioned in wartime, and ceramics and the art of commemoration. Craft and War also provides a breadth of analysis on crafting as a rehabilitative activity and traces government initiatives across different countries for postwar healing involving crafts.
This important contribution to modern craft history addresses multiple facets of a rich and complex subject to provide cross-national, cultural and chronological comparisons of craft’s participation in situations of conflict and stages of war.
This volume offers a veritable warren of enticing essays, spanning archival, historical, contemporary, Western, and non-Western perspectives. * Jennifer Salahub, Professor Emerita of Art and Craft Histories, Alberta University of the Arts, Canada *
These essays air out marvelous examples of humanity's dirty laundry by identifying many a 'subversive stitch' (often by a woman) that realized survival and resistance --and also distinct ways that craft has been co-opted into a nationalist symbol. The authors illuminate specific instances when the human penchant for genocide and civil war disrupted indigenous and artisanal knowledge and savor the expansive field of crafted objects as an immense archive of lived experience and emotions. * Ezra Shales, Professor in the History of Art department at Massachusetts College of Art and Design, USA *
ISBN: 9781350345478
Dimensions: unknown
Weight: unknown
352 pages