The Ancient World in Rock Music

Playing the Classics in the 1960s and 1970s

Dr Filippo Carlà-Uhink editor Dr Martin Lindner editor Nicholas D Cross editor Dr Nicholas R Wagner editor

Format:Hardback

Publisher:Bloomsbury Publishing PLC

Publishing:10th Dec '26

£85.00

This title is due to be published on 10th December, and will be despatched as soon as possible.

The Ancient World in Rock Music cover

The first book to consider the influence of antiquity on rock music from Bob Dylan to Pink Floyd.

This is the first volume to investigate how Classic Rock music engaged with the ancient world from lyrics to performance to the curation of the personalities of the singers and bands themselves. Though Classic Rock is treated simultaneously as the leading edge of modern music and already a thing of the past, the contributors to this volume break this dichotomy. They consider how artists such as Bob Dylan, the Grateful Dead, the Doors, Bruce Springsteen, Marc Bolan, Pink Floyd, Queen, Rush, Meat Loaf, and Stevie Nicks looked to the ancient world for direction and inspiration: for example, Freddie Mercury to Zoroastrianism, Stevie Nicks to Celtic myth, and Jim Morrison to Nietzsche’s reading of the Greek god Dionysus.

The contributors come from across musicology and classical studies, and from across the globe. Their sixteen chapters are organized around examples of musicians who employed elements of ancient history and myth, performative features, and philosophy and religion. Ultimately, as a study of reception, this volume demonstrates how this overlooked aspect of Classic Rock can contribute to the classical tradition and its continued significance for our world.

A book that shows how bands as different as The Doors, Genesis or Black Sabbath found their voice in the influence of the past. * Charo Rovira Guardiola, Assistant Librarian, Institute of Classical Studies, UK *
Generations of listeners have found the rock music of the 1960s and ’70s not only appealing but inspiring, in part for the rich array of allusions that bands tapped for their music, lyrics, and performances. The classics formed a central part of rock’s cultural inheritance, one that critics have often noted but remains fertile grounds for scholarly inquiry. Nicholas D. Cross and Nicholas R. Wagner have assembled a thought-provoking volume that fills that gap with a compelling exploration and argument that situates a range of bands in classical studies, from the Grateful Dead to Black Sabbath. This landmark work offers scholars and readers an engaging and original understanding of an essential aspect of “classic” rock music that will appeal to anyone interested in how the legacy of the ancient world continues to inform and shape our own in surprising ways—sometimes even hiding in plain sight. -- Nicholas G. Meriwether, Grateful Dead Studies Association, USA

ISBN: 9781350469167

Dimensions: unknown

Weight: unknown

208 pages