In the Mood for Texture

The Revival of Bangkok As a Chinese City

Arnika Fuhrmann author

Format:Hardback

Publisher:Duke University Press

Publishing:6th Jan '26

£96.00

This title is due to be published on 6th January, and will be despatched as soon as possible.

This hardback is available in another edition too:

In the Mood for Texture cover

In the Mood for Texture considers the aesthetics of Chinese colonial modernity in contemporary Southeast Asian cultural production, both virtual and material. By analyzing how twentieth-century Shanghai and Hong Kong have been revived in modern Bangkok’s architecture, design, fashion, and nightlife, Arnika Fuhrmann shows how the colonial past is redeployed in contemporary film, literature, and hospitality venues to shape present visions of Asia. At the heart of this inquiry stand Shanghai and Hong Kong’s anomalous colonial temporalities and Thailand’s semi-colonial temporality of the “never” and “yet still” of colonization. Attending to the textures of built environments and agentive female subjects, Fuhrmann reconceptualizes the revival of a Chinese colonial aesthetic and demonstrates how Southeast Asian imaginations can challenge both domestic and diasporic narratives of identity and collectivity beyond China.

“Grounded by Wong Kar-wai’s 2000 film, Fuhrmann explores the linkages between Shanghai, Hong Kong, and Bangkok. This expansive study considers the different ways movies, social media, literary texts, and architecture engage in Chinese revivalism to create a site of fantasy that makes possible a variety of spatial-temporal experiments.In the Mood for Texture is an outstanding, tour-de-force of investigation into Chinese Thai history and visual culture.”—Nguyen Tan Hoang, author of, A View from the Bottom: Asian American Masculinity and Sexual Representation

“A book of stunning originality and eloquence that advances a radical reimaging of region, diaspora, and the postcolonial. In the Mood for Texture is a uniquely structured study that is ambitious in scope. It is a study of Chinese colonial modernity that breaks free of geographical limitations and national boundaries. Fuhrmann brings into focus a textured aesthetics of Chinese colonial modernity—in all its sumptuous detail and affective vibrancy.”—Jean Ma, author of, Sounding the Modern Woman: The Songstress in Chinese Cinema

ISBN: 9781478029540

Dimensions: unknown

Weight: 572g

224 pages