It Lasts Forever and Then It's Over

‘[A] soul-stirringly expansive novel, It Lasts Forever and Then It’s Over, classic dramatic structures – introduction, rise, climax, fall, resolution – are distended, and linger after the curtains close.… By resisting endings, de Marcken’s deeply imaginative novel reflects that world – our collective story.’
— Kate Simpson, Telegraph

'Astounding, inventive, and utterly original, Anne de Marcken has written a freakish classic with wisdom to spare about life, death, and the eerily vast space between. I was absolute putty in this book’s hands.'
— Alexandra Kleeman, author of Something New Under the Sun

'It Lasts Forever is sad, shocking, funny, prophetic, visceral, and deeply human. From amid the dislocations, the lacerations, a profound meditation arises. Highly recommended.'
— Jeff VanderMeer, author of Dead Astronauts

‘[T]he prose is exquisite and the form is inventive, and there is plenty of white space between fragments of text and a handful of doodles. It’s wry and moving and very beautiful.’
— Susie Mesure, Spectator

‘De Marcken’s novella is a zombie story, adapting this overused popular trope and making it anew. It is an accomplished debut novel from the American writer that follows the meditative wanderings of a zombie who can’t remember her name…. [I]t is, surprisingly, full of tender moments and sustained throughout by a love that persists even in de Marcken’s post-apocalyptic world.’
— Brooke Boland, Sydney Morning Herald

‘[A] strange, haunting novel by Anne de Marcken, whose acerbic voice breathes new life into the fictional possibilities of the undead.’
— Joshua Rees, Buzz

‘Long and short, it’s hard to imagine a more erudite zombie story. This is de Marcken’s central trope — and her triumph. She seizes the gut-smeared cliches of The Walking Dead and recomposes them as a philosophical odyssey. Better yet, despite her fiction’s core seriousness, its quest for the Real, her undead stumble through a Grand Guignol farce.’
— ​​John Domini, Brooklyn Rail

‘Crepuscular and gradual, minimal and tender, the words and photographic poems in Anne de Marcken’s The Accident are filled with measured, continuous, indestructible longing.... she has a quiet way of making you surrender, ecologically and aesthetically, through her account’s transient, fugitive beauty and explicit interlacing dormant fragility.’
— Vi Khi Nao, author of Human Tetris (praise for The Accident)

'The Accident takes place in that gap between seeing and feeling, feeling and knowing, ‘a bird trapped inside your head’ and ‘something brighter than fear.’ Lunar in its hold and its hope, this is a book that reaches through trauma to uncover memory as an end and a beginning. With its deft shifts in perspective, its images at once soothingly atmospheric and hauntingly specific, The Accident gestures toward a dream where intimate claustrophobia gives way to a landscape that shifts with the imagination.'
— Mattilda Bernstein Sycamore, author of Sketchtasy (praise for The Accident)