Capital

Important . . . His lyrical encounters with a wide range of modern Delhiites reveal a novelist's ear and are beautifully sketched * * Telegraph * *
A terrific portrait of Delhi right now and hits a lot of nails on the head -- SALMAN RUSHDIE
Lyrical and haunting * * International New York Times * *
Achingly beautiful . . . and cleverly tangential * * Financial Times * *
Intense, lyrical, erudite and powerful * * Observer * *
Dasgupta peels back the layers of denial with insight, humanity and beautiful writing. He exposes festering wounds buts succeeds in fascinating rather than repelling * * The Times * *
A remarkable and exhaustive account * * Independent * *
Personal, original and vivid * * New Internationalist * *
A remarkably elegant work whose rich style and sweep often brings to mind V S Naipaul's A Million Mutinies Now * * New Statesman * *
Dasgupta's combination of reportage, political critique and oral history is mordant rather than dyspeptic, sorrowful rather than castigatory. But what makes it more than a local study, what makes it so haunting, is that its textured, tart accounts of the privatisation of public space, of the incestuous relationship between the political and business classes, of the precarity that renders daily life so fraught all apply as much to Britain and the west as they do to the Indian capital * * Guardian * *