Look For Me and I'll Be Gone

This is truly inimitable storytelling. No one writes an American horror story like John Edgar Wideman * * Observer * *
Master of language . . . Wideman has always been less interested in what a story tells than how it gets told, how the telling shapes our perception of our world. In works that erode the boundaries between fiction, memoir and essay, Wideman explores the impulses that drive storytelling itself, returning to some enduring themes and formal devices * * New York Times Book Review * *
Wideman is one of the great tragedians of American literature . . . This collection, Wideman's artistic consummation, is also the site of his unravelling, and there are moments of unbearable vulnerability when the author puts aside his great gifts to lie down in the rag and bone shop of the heart * * Wall Street Journal * *
Philosophical, ruminative and alive with wordplay . . . In each story, Wideman illustrates just how intricately the past is interwoven with the present, and there is plenty here to satisfy fans of captivating literary storytelling * * Booklist (starred review) * *
A book that demands and deserves attention * * Scotsman * *
Look for Me and I'll Be Gone, a short-story collection that draws fluidly from his personal life, is John Edgar Wideman's extended farewell to outrage . . . The book's style is so deceptively modest it stares you down and waits for you to realise it's cut your heart out while you coasted along on the calm surface of the syntax into a seething indictment of every aspect of society * * 4Columns * *
Wideman's stories have a wary, brooding spirit, a lonely intelligence. They carry a real but atrophied affection for America. He airs the problems of consciousness, including the fragile contingency of our existence -- Dwight Garner * * New York Times on You Made Me Love You * *
Praise for American Histories:The stories in American Histories read like an immense jazz riff . . . The acutely immersive world of American Histories is irresistible, and these profoundly moving stories will haunt you long after you've finished reading * * Guardian * *

Wideman's rage against American injustice and racial prejudice burns magma-hot in his latest short stories . . .
Immensely powerful . . . Challenging, animating, enlivening and electrifying; it does what literature should do. It's a bruising experience that leaves you feeling vulnerable and excited and alive

* * Spectator * *
Wideman's stories range widely over experiences from slavery to the present day . . . All are illumined by a searching intelligence and a willingness to test the boundaries of the short story form * * New York Times * *