The Meat Tree

New Stories from the Mabinogion is an exciting series of contemporary novels by leading authors, reworking ancient Celtic myth cycles. The first two stories by Owen Sheers and Russell Celyn Jones were published in October 2009 to great acclaim, with reviews in The Telegraph, The Times, The Financial Times, The Daily Mail, The Independent on Sunday and The Guardian. October 2010 is the turn of Gwyneth Lewis and Niall Griffiths.

Blodeuwedd, the fourth branch of the Mabinogion is one of the most famous and rich of the medieval Welsh tales. It has kings who can't walk on the ground, rapists who are condemned to change into the beasts of the forest, a young boy cursed by his mother and a wizard who conjures a wife made of flowers for his nephew. Gwyneth Lewis' retelling is set in the future. The tale is told by the Inspector of Wrecks, who has been tasked to examine a deserted ship, discovered in space. On the verge of retirement he brings all his experience to his last investigation of the physical and virtual reality fields of the ship, as well as the three bodies found floating in the hull. What he discovers shakes him to the core and forces him to question his beliefs about how the imagination creates our lives, and about the disasters that kill us.

"Seren's series of new stories inspired by the Mabinogion may be the greatest service to the Welsh national epic since Lady Charlotte Guest published her translation of the medieval folk tales in the mid-19th century. Scholars suggest the oldest branches of the saga belong to the 11th century, though Gwyneth Lewis proposes a date several millennia into the future, reconfiguring events into a space quest in which an inspector of lunar wrecks and his young assistant investigate an ancient Earth vessel and find it to contain one of the virtual reality consoles popular 'before you swallowed nano-synaptic dream tablets for recreation and training'. It provides a satisfyingly bizarre context for a narrative about an unfaithful woman made of flowers who turns into an owl, while Lewis's inspector observes events from a hilariously jobs-worth perspective: 'I'm an experienced enough traveller to know that you lose all dignity on a space...read more...